Director: Mary Harron
Synopsis: A Wall Street trader can't...stop...killing!My Take: In the opening monologue Patrick Bateman (Christian Bale) describes himself as a soulless body. The pressure of societal conformity has repressed Bateman's (and presumably others') true self. All thats left is 1980s zombies (not traditional zombies, in the horror sense). Bateman and his colleagues are interchangeable. Throughout the movie, Bateman is continually mistaken for other members of his office. They all look and act pretty much the same. There is no
depth to their thoughts or their actions. The only distinguishing characteristics are the shade of white (eggshell, white, off-white, etc) used as the background on their business cards.Bateman snaps. His first victim is the perfect archetype for the creature he seeks to become, Paul Allen (his business card is white). As Bateman's killing spree continues, his critiques of '80s pop music (which make for an excellent soundtrack) which he gives to his soon-to-be victims, contrast wonderfully with the shallow (but telling) dialogues among the group of traders.
This film is deep with meaning and social commentary that applies beyond the 1980s backdrop of the movie. Excellent writing and Bale's impeccable performance make this a masterpiece. Pay careful attention during the ending and come up with your own theory on what actually happened.The Rundown:
- Best Death: While this movie is highly story driven, the deaths are pretty cool. In my opinion, not just the best death, but possibly the best scene, is when Bateman kills Paul Allen.
- Moron Award: This one goes to the hooker that got in Bateman's limo for a SECOND rendezvous.
- Best Line: "When I get to Paul Allen’s place, I use the keys I took from his pocket before disposing of the body. There is a moment of sheer panic when I realize that Paul's apartment overlooks the park... and is obviously more expensive than mine." -Patrick Bateman
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